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	<title>Jean-Francois OKane Photographe et Conférencier Montréal &#187; Histogram</title>
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	<description>The man behind TheStudioCoach 514-645-8255</description>
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		<title>Shooting for Digital PSPA/PMA09</title>
		<link>http://www.jeanfrancoisokane.com/histogram/242-shooting-for-digital-pspapma09.html</link>
		<comments>http://www.jeanfrancoisokane.com/histogram/242-shooting-for-digital-pspapma09.html#comments</comments>
		<pubDate>Tue, 03 Mar 2009 05:02:38 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PSAP/PMA]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[speaking]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/?p=242</guid>
		<description><![CDATA[Here is the Power-point presented at the PSPA/PMA09 seminar inLasVegas convention center on March 3rd 09.
And just as a reminder 3TWSAKAL: QQD  means: 3 things we should all know about light : Quality-Quantity-Dispersion
]]></description>
			<content:encoded><![CDATA[<p>Here is the Power-point presented at the PSPA/PMA09 seminar inLasVegas convention center on March 3rd 09.</p>
<p>And just as a reminder 3TWSAKAL: QQD  means: 3 things we should all know about light : Quality-Quantity-Dispersion</p>

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		<title>Photoshop world in Orlando</title>
		<link>http://www.jeanfrancoisokane.com/colorbalancecoach/49-photoshop-world-in-orlando.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalancecoach/49-photoshop-world-in-orlando.html#comments</comments>
		<pubDate>Mon, 24 Mar 2008 00:34:47 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Histogram]]></category>
		<category><![CDATA[Lecture]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[PhotoshopWorld]]></category>
		<category><![CDATA[Seminar]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[colorbalancecoach]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/?p=49</guid>
		<description><![CDATA[I will be at PhotoshopWorld in Orlando April 2-3-4. I will be giving a hand to my friends Jim DiVitale, Helen Glassman, Frank Chriccio and Joe Glyda. In each of these classes we will have raffle of some PhotoMasterTarget as well as in Kevin Ame&#8217;s, Pete Bauer and Shawn King workshops.
Photoshopworld is a truly amazing [...]]]></description>
			<content:encoded><![CDATA[<p>I will be at <a target="_blank" href="http://www.photoshopworld.com/">PhotoshopWorld in Orlando April 2-3-4</a>. I will be giving a hand to my friends <a target="_blank" href="http://www.divitalephotography.com/">Jim DiVitale</a>, <a target="_blank" href="http://www.imageryphoto.com/">Helen Glassman</a>, <a target="_blank" href="http://www.frankcricchio.com/">Frank Chriccio </a>and Joe Glyda. In each of these classes we will have raffle of some <a target="_blank" href="http://www.photomastertarget.com">PhotoMasterTarget</a> as well as in <a target="_blank" href="http://www.amesphoto.com/">Kevin Ame&#8217;s</a>, <a target="_blank" href="http://indypixels.com/1/books.html">Pete Bauer </a>and <a target="_blank" href="http://www.yourmaclifeshow.com/">Shawn King </a>workshops.</p>
<p>Photoshopworld is a truly amazing experience for photographers and photoshop users as well.</p>
<p>See you there.</p>
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		<title>Why do I get only three peaks on my histogram?</title>
		<link>http://www.jeanfrancoisokane.com/color-balance-coach/21-why-do-i-get-only-tree-peaks-on-my-histogram.html</link>
		<comments>http://www.jeanfrancoisokane.com/color-balance-coach/21-why-do-i-get-only-tree-peaks-on-my-histogram.html#comments</comments>
		<pubDate>Thu, 06 Dec 2007 00:30:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Color balance coach]]></category>
		<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[colorbalancecoach]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[grey card]]></category>
		<category><![CDATA[reference]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[peaks]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/2007/12/05/why-do-i-get-only-tree-peaks-on-my-histogram/</guid>
		<description><![CDATA[ One regular question about the color balance coach target is: why do I get only trree peaks on my histogram?
as you can see on the left side of the hand-drawn graphics that the target is used facing the camera instead of facing the light. When you do so the difference of the light from [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://bp0.blogger.com/_g4fykuZGoDA/R1dC-Hg_ZuI/AAAAAAAAA_4/uOGa_31OiIQ/s1600-h/wrongandright_cbc.jpg"><img style="float: left; cursor: hand; margin: 0 10px 10px 0;" src="http://bp0.blogger.com/_g4fykuZGoDA/R1dC-Hg_ZuI/AAAAAAAAA_4/uOGa_31OiIQ/s320/wrongandright_cbc.jpg" border="0" alt="" /></a> One regular question about the <a href="http://www.colorbalancecoach.com/">color balance coach</a> target is: why do I get only trree peaks on my histogram?<br />
as you can see on the left side of the hand-drawn graphics that the target is used facing the camera instead of facing the light. When you do so the difference of the light from one side to the other of each white patch changes until it reaches the amount of the next patch so you have a kind of one ongoing fading patch. As you can see now on the graphic on the second side on the right-hand side you have four peaks when the target is facing the main light remember the object of the color balance coach target is to measure the highlight to be sure that we do not get an over exposure of the light and the only way he to make this sure is to measure the highlight side with the target. So in the center of the drying you see the two side-by-side drawings one representing the target facing the camera and the other one representing the target facing the main light giving the proper exposure.<br />
Enjoy your target and keep you posted with all your question how will answer them personally.<br />
Jean François O&#8217;Kane,<br />
<a href="http://www.thestudiocoach.com/">TheStudioCoach.com</a></p>
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		<title>FAQ PhotoMasterTarget/ColorBalanceCoach: Do I use the exposure info (F-stop and shutter speed) taken from the grey surface or the exposure info taken from the whole disc including the white and black colors ?</title>
		<link>http://www.jeanfrancoisokane.com/colorbalancecoach/18-faq-do-i-use-the-exposure-info-f-stop-and-shutter-speed-taken-from-the-grey-surface-or-the-exposure-info-taken-from-the-whole-disc-including-the-white-and-black-colors.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalancecoach/18-faq-do-i-use-the-exposure-info-f-stop-and-shutter-speed-taken-from-the-grey-surface-or-the-exposure-info-taken-from-the-whole-disc-including-the-white-and-black-colors.html#comments</comments>
		<pubDate>Sat, 03 Nov 2007 15:48:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[colorbalancecoach]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[reference]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/2007/11/03/faq-do-i-use-the-exposure-info-f-stop-and-shutter-speed-taken-from-the-grey-surface-or-the-exposure-info-taken-from-the-whole-disc-including-the-white-and-black-colors/</guid>
		<description><![CDATA[The exposure info that you will have when aiming at the target whole or grey patch, will be used as a starting point to set the final exposure using the 4 patches and representation on the histogram. The 4 peaks pattern on the histogram ill be the confirmation of proper exposure.
Once your histogram is perfect, [...]]]></description>
			<content:encoded><![CDATA[<p>The exposure info that you will have when aiming at the target whole or grey patch, will be used as a starting point to set the final exposure using the 4 patches and representation on the histogram. The 4 peaks pattern on the histogram ill be the confirmation of proper exposure.</p>
<div>Once your histogram is perfect, be sure to be on manual mode and do not change the F-stop and shutter speed.</div>
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		<title>FAQ PhotoMasterTarget/ColorBalanceCoach: When I take the picture of the grey surface, should I leave my WB settings to AWB to take the picture for use in setting custom WB ?</title>
		<link>http://www.jeanfrancoisokane.com/color-balance-coach/16-faq-when-i-take-the-picture-of-the-grey-surface-should-i-leave-my-wb-settings-to-awb-to-take-the-picture-for-use-in-setting-custom-wb.html</link>
		<comments>http://www.jeanfrancoisokane.com/color-balance-coach/16-faq-when-i-take-the-picture-of-the-grey-surface-should-i-leave-my-wb-settings-to-awb-to-take-the-picture-for-use-in-setting-custom-wb.html#comments</comments>
		<pubDate>Sat, 03 Nov 2007 15:38:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Color balance coach]]></category>
		<category><![CDATA[ColorBalance]]></category>
		<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[WhiteBalance]]></category>
		<category><![CDATA[colorbalancecoach]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[grey card]]></category>
		<category><![CDATA[photo tip]]></category>
		<category><![CDATA[reference]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/2007/11/03/faq-when-i-take-the-picture-of-the-grey-surface-should-i-leave-my-wb-settings-to-awb-to-take-the-picture-for-use-in-setting-custom-wb/</guid>
		<description><![CDATA[For Canon, Nikon and other brands, it does not make any difference the mode that you are in when you take the image you will use for setting the white balance. As a second step the camera will white balance the surface or the image that you have chosen to perform the custon WB.

The FAQ [...]]]></description>
			<content:encoded><![CDATA[<div>For Canon, Nikon and other brands, it does not make any difference the mode that you are in when you take the image you will use for setting the white balance. As a second step the camera will white balance the surface or the image that you have chosen to perform the custon WB.</div>
<div></div>
<div>The FAQ are fuelled by user&#8217;s questions.</div>
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		<title>FAQ PhotoMasterTarget/ColorBalanceCoach: My camera has trouble focusing on the grey surface to get a picture for setting the WB. Would an out-of-focus picture acceptable ?</title>
		<link>http://www.jeanfrancoisokane.com/colorbalancecoach/15-faq-my-camera-has-trouble-focusing-on-the-grey-surface-to-get-a-picture-for-setting-the-wb-would-an-out-of-focus-picture-acceptable.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalancecoach/15-faq-my-camera-has-trouble-focusing-on-the-grey-surface-to-get-a-picture-for-setting-the-wb-would-an-out-of-focus-picture-acceptable.html#comments</comments>
		<pubDate>Sat, 03 Nov 2007 15:30:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[WhiteBalance]]></category>
		<category><![CDATA[colorbalancecoach]]></category>
		<category><![CDATA[reference]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/2007/11/03/faq-my-camera-has-trouble-focusing-on-the-grey-surface-to-get-a-picture-for-setting-the-wb-would-an-out-of-focus-picture-acceptable/</guid>
		<description><![CDATA[Many cameras have that limitation of focussing before exposure. When you walk in to fill the screen with the target, it may be impossible to focus. There is no problem as long as you are not casting a shadow on the target. So sharp or out of focus target will be as usefull to set [...]]]></description>
			<content:encoded><![CDATA[<div>Many cameras have that limitation of focussing before exposure. When you walk in to fill the screen with the target, it may be impossible to focus. There is no problem as long as you are not casting a shadow on the target. So sharp or out of focus target will be as usefull to set your exposure.</div>
<div>These FAQ are fuelled by the user&#8217;s questions.</div>
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		<title>The ColorBalanceCoach in the figure study</title>
		<link>http://www.jeanfrancoisokane.com/colorbalancecoach/29-the-colorbalancecoach-in-the-figure-study.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalancecoach/29-the-colorbalancecoach-in-the-figure-study.html#comments</comments>
		<pubDate>Sun, 25 Feb 2007 12:33:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[Recent shoot]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[colorbalancecoach]]></category>
		<category><![CDATA[exposure]]></category>
		<category><![CDATA[photo tip]]></category>
		<category><![CDATA[figure]]></category>
		<category><![CDATA[nude]]></category>
		<category><![CDATA[Paris]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/2007/02/25/the-colorbalancecoach-in-the-figure-study/</guid>
		<description><![CDATA[
In difficult situation like this one, the ColorBalanceCoach target played a key role.
I wanted a light rolling on top of my nude model&#8217;s stomach. I needed to calculate exactly the light passing horizontal al the model&#8217;s point. By putting the ColorBalanceCoach target flat on the floor I was able to preform the necessary readings, and [...]]]></description>
			<content:encoded><![CDATA[<div><a href="http://bp3.blogger.com/_g4fykuZGoDA/ReGCHdn3LyI/AAAAAAAAAMg/UGJ2gZmUYLc/s1600-h/P2215451.JPG"><img border="0" src="http://bp3.blogger.com/_g4fykuZGoDA/ReGCHdn3LyI/AAAAAAAAAMg/UGJ2gZmUYLc/s320/P2215451.JPG" style="clear:both;float:left;" /></a><br />
In difficult situation like this one, the <a href="http://www.colorbalancecoach.com/">ColorBalanceCoach</a> target played a key role.<br />
I wanted a light rolling on top of my nude model&#8217;s stomach. I needed to calculate exactly the light passing horizontal al the model&#8217;s point. By putting the <a href="http://www.colorbalancecoach.com/">ColorBalanceCoach</a> target flat on the floor I was able to preform the necessary readings, and ajust the camera for an exact white balance and exposure setting.<a href="http://bp2.blogger.com/_g4fykuZGoDA/ReGC5Nn3LzI/AAAAAAAAAMo/Tu0pVUtXJt4/s1600-h/P2215469.JPG"><img border="0" src="http://bp2.blogger.com/_g4fykuZGoDA/ReGC5Nn3LzI/AAAAAAAAAMo/Tu0pVUtXJt4/s320/P2215469.JPG" style="float:right;cursor:hand;margin:0 0 10px 10px;" /></a><br />
Model: Émilie</div>
<div>Shot at Studio Astre, Paris, France.</div>
<div></div>
<div></div>
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		<title>How to read the photographic histogram?</title>
		<link>http://www.jeanfrancoisokane.com/colorbalance/10-how-to-read-the-photographic-histogram.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalance/10-how-to-read-the-photographic-histogram.html#comments</comments>
		<pubDate>Tue, 05 Dec 2006 21:27:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[ColorBalance]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Histogram]]></category>
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		<description><![CDATA[How to read the photographic histogram?
watch this video to learn about the histogram.

]]></description>
			<content:encoded><![CDATA[<p>How to read the photographic histogram?<br />
watch this video to learn about the histogram.</p>
<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/5d6oWndayEE&#038;hl=en_US&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/5d6oWndayEE&#038;hl=en_US&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>
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		<title>Official launch ColorBalanceCoach</title>
		<link>http://www.jeanfrancoisokane.com/colorbalance/8-official-launch-colorbalancecoach.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalance/8-official-launch-colorbalancecoach.html#comments</comments>
		<pubDate>Fri, 06 Oct 2006 20:45:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[ColorBalance]]></category>
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		<description><![CDATA[(TEXTE FRANCAIS À LA SUITE DU TEXTE ANGLAIS)

Montreal Photographer Turns Inventor
Making Digital Photography Color-Perfect at the First ShotMontreal, Wednesday, September 27, 2006- This week Montreal Photographer Jean-François O’Kane will introduce in a world premiere, a new colour balancing system for digital photography that he invented and perfected himself at the Photokina international fair in Cologne, [...]]]></description>
			<content:encoded><![CDATA[<div align="justify"><span style="font-size:78%;"><strong>(TEXTE FRANCAIS À LA SUITE DU TEXTE ANGLAIS)</strong></span></div>
<div align="justify"></div>
<div align="justify">Montreal Photographer Turns Inventor<br />
Making Digital Photography Color-Perfect at the First ShotMontreal, Wednesday, September 27, 2006- This week Montreal Photographer Jean-François O’Kane will introduce in a world premiere, a new colour balancing system for digital photography that he invented and perfected himself at the Photokina international fair in Cologne, Germany. The “ColorBalanceCoach” is a collapsible disk that looks like a photographic reflector. Made to fit in any photographer’s bag, it confirms in a matter of seconds the whiteness of the white, the exposure and the contrast before a single shot is taken.</p>
<p>&#8220;I developed the ColorbalanceCoach as the only tool that a photographer needs to keep with him at all times to take color-perfect pictures. As a photographer I pride myself on producing high quality images, but as an artist, I want to concentrate more on the image itself than on the tools and process&#8221;, explains Jean-Francois O&#8217;Kane.</p>
<p>Mr. O’Kane developed the unique “ColorBalanceCoach” as a one-step easy to use tool for photographers. More than two years in the making, this tool was created as the answer to many questions from the hundreds of people he has taught in his lecture series as “TheStudioCoach”.</p>
<p>Why is a colour balance needed?<br />
The color balance, also called white balance, is a technique that ensures that photography captures real colors, and produces an optimal rendering on a computer monitor or final print. Some digital cameras have exposure and color balance settings that can be set on automatic, but unfortunately, automatic does not necessarily mean exact and photos are often discolored.</p>
<p>The “ColorBalanceCoach” is made of 4 distinct regions called patches. The largest is the grey patch, made of chromatically neutral synthetic material, 18% reflective, that will remain stable in density and color for years to come. The black patch reflects only 5% of the light it receives, the white reflective patch will reflect 95% of the light and the dull translucent patch will reflect 85% of the light. The translucent patch is made of 100% colorless white fabric that will allow a shoot through white balancing area as well as a reflected low-light reflected white balance patch.</p>
<p>Canadian and World-wide Distribution<br />
This new tool will be available in Canada as of October 10, 2006 thanks to Booth Photographic that has announced the coverage of the Canadian market through its network of 150 dealers. As well, it has just been confirmed that Aurora will take on the world distribution of a special edition of the ColorBalanceCoach disk.<br />
-30-<br />
Note to media:<br />
Mr. O’Kane will be in Germany until October 2, and in Paris from the 2nd to the 5th. He will remain available for interviews by phone. He will be available for interviews in person upon his return.<br />
For visuals and video instruction visit <a href="http://www.odcphoto.com/12all/lt/t_go.php?i=&amp;e=%subscriberid%&amp;l=http://www.colorbalancecoach.com/">www.colorbalancecoach.com</a>.</p>
<p>Source:<br />
Emmanuelle Rondeau<br />
Expression Communications for «ColorBalanceCoach»<br />
T: 514-347-1114 or mailto: <a href="mailto:erondeau@expressioncommunications.com">erondeau@expressioncommunications.com</a></div>
<div align="justify"></div>
<div align="justify">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;</div>
<div align="justify"></div>
<div align="justify"></div>
<div align="justify">Un photographe montréalais devient inventeur :<br />
Il conçoit l&#8217;équilibrage parfait de la couleur<br />
dès la première pose pour la photographie numériqueMontréal, 25 septembre 2006- Mardi 26 septembre 2006, le photographe montréalais Jean-François O&#8217;Kane lancera en première mondiale au salon international Photokina à Cologne, Allemagne, un nouveau système d&#8217;équilibrage de la couleur pour la photographie numérique, procédé dont il est l’inventeur. Le ColorBalanceCoach est un disque pliable sem! blable à un réflecteur photographique. Conçu pour s&#8217;insérer dans l&#8217;étui de transport du photographe, il confirme en quelques secondes la blancheur, l&#8217;exposition et le contraste avant même le premier déclic de l&#8217;appareil.</p>
<p>« J&#8217;ai mis au point le ColorbalanceCoach afin qu’il soit l&#8217;unique outil nécessaire pour obtenir un parfait équilibrage de la couleur en tout temps. En tant que photographe, je me fais un point d&#8217;honneur de livrer des images de haute qualité, mais en tant qu&#8217;artiste, je veux me concentrer davantage sur l&#8217;image que sur les outils et procédés », explique Jean-François O&#8217;Kane.</p>
<p>M. O&#8217;Kane a développé le ColorBalanceCoach pour en faire un outil complet et facile à utiliser. Fruit de plus de deux années de conception, cet outil a été créé pour répondre aux nombreuses questions de centaines d&#8217;élèves inscrits à des conférences qu’il dispense par l’entremise TheStudioCoach. !</p>
<p>Pourquoi est-il nécessaire d&#8217;équilibrer la couleur ?<br />
L&#8217;équilibre des couleurs, ou équilibrage des blancs, est une technique qui permet de capturer les couleurs réelles et de produire un rendu optimal à l&#8217;écran ou à l&#8217;impression. Quelques appareils numériques sont dotés du réglage automatique de l&#8217;exposition et de l&#8217;équilibrage des blancs, mais cet automatisme n&#8217;est pas toujours synonyme de précision et produit souvent des photos pâles.</p>
<p>Le ColorBalanceCoach est composé de 4 échantillons. Le plus grand échantillon gris est fait de matériel synthétique chromatiquement neutre dont la densité et la couleur demeureront stables au fil des ans ; il réfléchit 18 % de la lumière. L&#8217;échantillon noir ne reflète que 5 % de la lumière, l&#8217;échantillon blanc en réfléchit 95 % et l&#8217;échantillon translucide mat en reflète 85 %.<br />
Ce dernier est fait de tissu 100 % incolore permet aussi de faire une balance de blanc en mesure incidente.</p>
<p>Distribution canadienne et mondiale<br />
Ce nouvel outil sera disponible au Canada à compter du 10 octobre 2006 grâce à Booth Photographic qui couvrira le marché canadien par l&#8217;entremise de son réseau de 150 revendeurs. De plus, Aurora vient d&#8217;annoncer qu&#8217;elle assurera la distribution mondiale d&#8217;une édition spéciale du disque ColorBalanceCoach.<br />
-30-<br />
Notes aux médias :<br />
· M. O&#8217;Kane sera en Allemagne du 26 septembre au 2 octobre 2006, puis à Paris du 2 au 5 octobre. Durant cette période, il sera disponible pour des entrevues téléphoniques. Les entrevues en personne seront accordées dès son retour.<br />
· Pour voir le produit et sa vidéo rendez-vous à <a href="http://www.odcphoto.com/12all/lt/t_go.php?i=&amp;e=%subscriberid%&amp;l=http://www.colorbalancecoach.com/">www.colorbalancecoach.com</a>.</p>
<p>Source :<br />
Emmanuelle Rondeau<br />
Expression Communications pour ColorBalanceCoach<br />
T: 514-347-1114 ou courriel : erondeau@expressioncommunications.com</p></div>
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		<title>The Color Balance Coach target instructions</title>
		<link>http://www.jeanfrancoisokane.com/colorbalancecoach/7-the-color-balance-coach-target-instructions.html</link>
		<comments>http://www.jeanfrancoisokane.com/colorbalancecoach/7-the-color-balance-coach-target-instructions.html#comments</comments>
		<pubDate>Sat, 23 Sep 2006 03:03:00 +0000</pubDate>
		<dc:creator>TheStudioCoach</dc:creator>
				<category><![CDATA[Histogram]]></category>
		<category><![CDATA[PhotoMasterTarget]]></category>
		<category><![CDATA[TheStudioCoach]]></category>
		<category><![CDATA[colorbalancecoach]]></category>
		<category><![CDATA[grey card]]></category>
		<category><![CDATA[photo tip]]></category>
		<category><![CDATA[reference]]></category>

		<guid isPermaLink="false">http://thestudiocoach.wordpress.com/2006/09/22/the-color-balance-coach-target-instructions/</guid>
		<description><![CDATA[Easy to follow video instruction have just been published on the ColorBalanceCoach web site click here to watch. Do not hesitate to contact Customer service for any info. cbc@colorbalancecoach.com
Jean-Francois O&#8217;Kane
The Color Balance Coach

]]></description>
			<content:encoded><![CDATA[<p>Easy to follow video instruction have just been published on the <a href="http://www.colorbalancecoach.com/">ColorBalanceCoach</a> web site <a href="http://www.colorbalancecoach.com/manual.htm">click here to watch</a>. Do not hesitate to contact Customer service for any info. <a href="mailto:cbc@colorbalancecoach.com">cbc@colorbalancecoach.com</a></p>
<p>Jean-Francois O&#8217;Kane<br />
<a href="http://colorbalancecoach.blogspot.com/">The Color Balance Coach</a><br />
<a href="http://colorbalancecoach.blogspot.com/"></a></p>
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